| Swiss Society Prize |
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The Swiss Society of New York is very proud to have introduced the annual Swiss Society Prize in 2008. Each year the Prize goes to an individual in the professional field of study of the Guest of Honor or the theme of the Swiss Ball. The purpose of the grant program is to foster the professional development of Swiss expatriates or persons with proven Swiss roots of exceptional talent and quality in their field. The program offers financial support towards continuing education or special projects that will further the professional development of such established or emerging professionals. Since we have just initiated the Swiss Society Prize, we will have two awards in the first calendar sequence. The application cycle coincides with the Swiss Ball at the beginning of the year. Prize 1 Prize 2 Details: The Prize guidelines and Prize Application are found in the related tabs of the Swiss Society of New York website. Applicants are requested to submit applications as instructed and have additional supporting documentation available to the Grant Committee. Deadline: Submissions are welcome for both Prizes. All completed entries must arrive at our offices by Friday, October 30, 2009. We wish to thank all of our sponsors, but in particular those that contribute to the Silent Auction held at the Swiss Ball. The Silent Auction is the source of funding which sustains our ability to award the Swiss Society Prize. Modern Classical Composer - defined A member of the Brightcecilia Classical Music Forums (www.BrightCecilia.com) gives the following definition of modern classical composer. From about 1900 composers started devising ways in which the music they wrote became more than just expressions of their own personal state but the expression of different social or ethnic groups, expressions of cultural opinions held not only by themselves but by larger and not necessarily artistic bodies. After the inception of this kind of thinking it became possible to see composers as reacting to almost anything, and quite often each other but I think that the most enduring characteristic of a modern composer is his willingness to experiment in order to achieve his goal. It is this that separates Charles Ives, Karl Heinz Stockhausen, Witold Penderwski, John Cage and other 'Modern' composers and not so much a musical common characteristic. For the entire text, please visit http://www.brightcecilia.com/forum/showthread.php?t=234. |
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